Codes of Practice Essay Example for Free

Codes of Practice Essay 1. Legislations that relate to the handling of information in health and social care are: The Human Rights Act 1998 The Data Protection Act 1998 Codes of practice that relate to the handling of information in health and social care are: Codes of Practice – set out by Skills for care CSSIW guidelines 2. The main points of the data protection act are: 1. Personal data shall be processed fairly and lawfully and, in particular, shall not be processed unless- 1. at least one of the conditions in Schedule 2 is met, and 2. in the case of sensitive personal data, at least one of the conditions in Schedule 3 is also met. 2. Personal data shall be obtained only for one or more specified and lawful purposes, and shall not be further processed in any manner incompatible with that purpose or those purposes. 3. Personal data shall be adequate, relevant and not excessive in relation to the purpose or purposes for which they are processed. 4. Personal data shall be accurate and, where necessary, kept up to date. 5. Personal data processed for any purpose or purposes shall not be kept for longer than is necessary for that purpose or those purposes. 6. About the rights of individuals e.g.[10] personal data shall be processed in accordance with the rights of data subjects (individuals). 7. Appropriate technical and organisational measures shall be taken against unauthorised or unlawful processing of personal data and against accidental loss or destruction of, or damage to, personal data.

The Oppression of Women Drives The AIDS Epidemic in Africa :: Disease AIDS Essays Africa Women

The Oppression of Women Drives The AIDS Epidemic in Africa Africa is facing a devastating crisis with respect to the AIDS epidemic, currently accounting for over 70% of the world's HIV-positive population. There are, of course, many factors that drive the explosive transmission of the Human Immunodeficiency Virus, but in the tangled web that is the epidemic in Africa, many of these issues share a common thread. The oppression of women in Africa can be considered the virus' cultural vector. Females are rendered powerless in African societies, and existing gender inequalities are largely responsible for the spread of the disease. Females' disadvantaged position in society is intrinsically linked to the subordination of women in their relationships with men. In order for progress to be made, an examination of gender relations and empowerment for women must take place. To be successful, AIDS campaigns must be built on the existing organizational skills of women, but must incorporate men as well. The blatantly skewed distribution of power in Afri can patriarchal societies makes women extremely vulnerable but has dangerous implications for all. To examine the forces that steer the epidemic down its course, the epidemiology of HIV and AIDS in Africa must first be considered. More than 80% of all HIV infections in Africa are acquired through heterosexual contact. This statistic is grossly out of balance with the 13% rate of infection through heterosexual contact in the United States. Vertical transmission from mother to child is the second most common route for the virus to take in Africa (Essex et al., 158). These rates are generally much higher than in the United States and Europe, where the use of a drug called neviropine has drastically reduced mother-to-child transmission. This disparity is a direct result of differences in the nations' wealth. African nations simply cannot afford to provide the drug to infected pregnant women. The continued transmission of HIV through contaminated blood during processes such as blood transfusions is another dismal consequence of poverty and inferior health services in many African count ries. This method accounts for the third most important mode of transmission, one that has been virtually eradicated in many countries because the technology is available to prevent it (Essex et al., 159). Part of what makes the situation in Africa so devastating is that the primary roads the virus travels in Africa were shut down long ago in other countries. Much of the world's population already takes many of the roadblocks for granted.

Ship Accidents

ABSTRACT Safety may be defined as an acceptable state of risk by society. In this respect, for assessing the current safety level of ships, it is necessary to quantify the risk level of the operating world fleet, thus estimate and assess the basic contributors to risk, namely the frequency of maritime accidents and the extent of their consequences. As this paper deals with a systematic analysis of ship accidents in recent years and evaluates the current level of safety for the majority of ship subtypes present in the world fleet, namely, tankers, bulk carriers, containerships passenger and cruise ships, passenger Ro-Ro cargo vessels, Ro-Ro cargo ships, general cargo vessels, reefer ships, car carriers, fishing vessels, LNG and LPG carriers. Introduction The history of maritime transport is marked by ship accidents with partly disastrous consequences on human lives and impact on society and the marine environment. In response to these disastrous accidents, more and more new requirements and amendments of existing regulations for the safe maritime transport were introduced by the International Maritime Organization (IMO), as this paper gives an overview of the global safety level of all basic merchant ship types in terms of accidents' occurrence, frequencies and consequences. For each ship type, accidents occurred within the time period 1990-2012 are presented and analyzed with respect to the degree of accident severity, accident category and accident's geographic area, number of fatalities and total losses of ships. Furthermore, the total accident frequency and frequencies per main accident categories are given as well as comparative results among the different ship types. The ultimate goal of this investigation is the assessment of the relative safety level per ship type in order to identify those ship types that are more prone to marine accidents (per ship type), possible historical trends, and geographical areas, where accidents more often happen. Frequencies and basic consequences were investigated for the entire period of interest (i.e. 2012), as well as separately for the last decade of the studied period. The source of the analyzed accidental data is the IHS Sea-web ® database and the analysis pertains to the generic ship types as defined by the particular database; namely, Bulk carriers, Passenger and Cruise ships, Passenger Ro-Ro cargo vessels, Ro-Ro cargo ships, General Cargo vessels, Reefer ships, Car carriers, Fishing vessels, LNG and LPG carriers. The analysis of accident records was performed for the time period 1990-2012; we included those accidents associated with merchant passenger and cargo ships, regardless ship size, however built after 1980. Operational fleet at risk has been calculated from the Lloyd's Register of Shipping ® database for all the afore-mentioned ship types. The output of the particular calculations was compared with corresponding data from Clarkson's SIN ® and a rather good fit of the respective results was recorded. The presented results related to Cellular Containerships and Large Crude Oil tankers (greater than 60,000 DWT) are coming from two earlier completed research projects of NTUA, namely CONTIOPT (2011-2013) and SAFEDOR (2005-2009), as well as from internal NTUA research (Eliopoulou et al. 2012, 2013).

Vincent Van Gogh s Influence On The Post Impressionist Era

The most memorable artists are those who can tell a story in a piece of artwork. They are able to combine different brush strokes, textures and variations to the paint to enable viewers to understand the story which they want to be told. Vincent van Gogh was a lonely and poor man, but one of the more memorable artists because of his story telling. Starry Night, Bedroom in Arles and Self-Portrait with Bandaged Ear are just a few of Vincent van Gogh’s famous paintings. Van Gogh was a Dutch painter born in 1853 and he was a part of the Post-Impressionist period of art. Most of van Gogh’s painting can be considered a biographical approach as his paintings are events he experienced through his life which he wants to recreate. Van Gogh used colours and forms to convey what he felt about the things he painted and what he wished others to feel (Gombrich, 1995, p. 548). Vincent van Gogh had an incredible influence on the Post-Impressionist era and how art is perceived now. He ut ilized new elements in ways in which other artists never used them before. The point of this paper is to demonstrate how Vincent van Gogh utilized his life experiences and showed it through his artwork; they all tell a story about his life and the challenges he faced. The Post-Impressionist era began in the late 1870s after Impressionism. It followed some of the same elements as Impressionism such as: entertainment scenes, scenes of leisure, street scenes, portraits and landscapes (Adams, 2012, p. 77).Show MoreRelatedA Brief Note On Impressionism And Post Impressionism958 Words   |  4 PagesIWT1 Task 1 Impressionism and Post Impressionism By WGU student In early 19th century, the French government controlled the Academies des Beaux-Arts and Salon de Paris of paintings. The Academies were considered the ruling authority and held annual art exhibits called salons. The salons featured works of art that conformed to their standards. In the second half of the 19th century, Impressionism began which was a result of French artists rejecting traditional government and their standards. In 1874Read MoreSummary Of The Merry Family 1642 Words   |  7 PagesChiaramonte Anna Sparks FAS-202 02/04/2017 Artist s Name: Jan Havicksz Steen Title: The Merry Family Style movement: Baroque Date: 1668 Location: Rijksmuseum in Amsterdam Origin: Leiden, Netherlands Artist s Name: Vincent van Gogh Title: The Potato Eaters Style movement: Postimpressionism Date: 1885 Location: Van Gogh Museum in Amsterdam Origin: Nuenen, Netherlands Artist s Name: Jeremie Fischer Title: Is the Family Dinner Overrated? Style movement: Post Modernism Date: 2012 Location: New York TimesRead MoreVan Gogh Art Case Study Essay3190 Words   |  13 PagesVincent Van Gogh was formed by his social, cultural and historical context. This is expressed clearly in the underlying stories of both paintings, Starry Night, 1889 and Self-Portrait with Bandaged Ear, 1889. Both of these paintings portray a narrative relating to Van Gogh significantly as he emotionally connects to the subject in each painting. Van Gogh’s aim of these subjective works was to express meaning through colour and express the painting to a more personal emotion for the viewer. Van GoghRead MoreIntramuros4927 Words   |  20 Pagesart,   Chinese art, and  Japanese art[4]  each had significant influence on Western art, and vice versa. Initially serving utilitarian purpose, followed by imperial, private, civic, and religious patronage, Eastern and Western painting later found audiences in the  aristocracy  and the middle class. From the Modern era, the  Middle Ages  through the  Renaissance  painters worked for the church and a wealthy aristocracy  Beginning with the  Baroque  era artists received private commissions from a more educated